It’s also noteworthy that the first ability only specifies a melee weapon attack. An extra attack is always a great thing to gain, and the conditions aren’t too hard to meet.Įven if you’re only getting a bonus action attack once per combat that’s still a good extra bit of damage. The first ability is great for a weapon that’s going to be dealing as much damage as this does. If the attack hits, you add +10 to the attack’s damage.
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Jump Charges: Whilst charging a neutral hit, you can now jump with appropriate directional input and floating.Sliding Bunts and Grabs: Expanding on the sliding swing mechanic from LL1, Blaze adds this to bunts and grabs, use at your own discretion, be it for quick re-positioning or sneaky steals.You can not change your orientation unless you use a second jump with a directional input, or pressing up+direction+swing/bunt (grab or smash do not require an up input to turn) to instantly turn and perform the relevant action. In the air your jumps are a little more committal. You can, however, cancel this turn lag with any input, be it grab, swing or bunt. Invested Turns: So in Blaze when you attempt to turn there is a 4 frame turn animation whilst grounded.Double Jumps: Every character now has one extra jump, which means they have a wealth more options in both coverage and combo tools.The trade off is that if you attempt to grab an unparried ball you will be grab denied and put in a state similar to parrystun. The resulting special animation gives a free hit on the parrying opponent. Whilst bunts, swings, and spikes get stuffed by parries, grabs bypass them and take the ball. Whilst semi useful as a timing mixup, its main purpose is to counter parries. Grabs: A new action that allows you to literally a grab a ball (with 4 frame startup) and throw it forward, backward, or downward.Before you get all hold heavy on your parries the next mechanic might change your mind. You can continue to hold a parry for hitlag's entire duration, extending it up to 22 percent. Parry extension: When you parry there is minimum duration it remains active (24 frames) that extends the hitlag and parry.The risk of this method is upon missing the ball, you perform the entire taunt animation and are vulnerable for the duration. Getup attack: You perform a getup taunt with a huge catch hitbox where if the ball is in the vicinity as you get up, the ball is given to you as if you were serving it. Bunt getup: You get up with an invulnerable bunt. Neutral getup: You get up slowly with some invulnerability, but cannot actively swing for some frames. After a knockdown, you have three options to use on getup: Getup: Taking damage to your health will either make you flinch, or knock you down if the ball is >30 speed.You have 120hp, and damage taken is 1:1 to ball speed, at a minimum of 30 damage taken. Health: Whilst Blaze still maintains its stocks format in matches, there is now a health mechanic to alleviate the old instant losses to low ball speed shenanigans.If you do not want to accidentally fast fall whilst spiking, hold jump. They can be used both offensively and defensively, thanks to the unique hitbox and the three angle options that rarely allow for full coverage. Spike has its own set of angles that differ greatly per character, but share the characteristics of one straight down angle, and angles that go forwards or backwards relative to the orientation of the character. Spikes: A new swing attack that has a hitbox beneath you, performed by pressing down and swing.So if you're coming over from LL1 there's a few core mechanic differences between both games: Upgrading an AEM site to a PWA #Īdobe Experience Manager (AEM) is a comprehensive content management solution for building websites, mobile apps, forms, and digital signage. With Workbox, you can quickly set up and manage both, and more, with production-ready code. Service workers and the Cache Storage API, when used together, control how assets (HTML, CSS, JS, images, etc.) are requested from the network or cache, even allowing you to return cached content when offline. Workbox is a set of libraries to help you write and manage service workers and caching with the Cache Storage API. Service workers can be hard to write from scratch. A service worker with the right caching strategy provides stable and reliable user experiences for various scenarios, returning pre-cached resources instantly, storing data in cache, and updating resources when connected to the web. An active service worker provides services such as smart caching using the Cache API, keeping data up to date using the Background Sync API, and integrating with push notifications. What is a service worker? #Īt its core, a service worker is just a script that your browser runs independently as you interact with your web application. A service worker: a script that provides background services that enrich your PWA by defining resources your PWA uses and the strategies to access them.A web app manifest: a JSON configuration file that defines the app's entry point URL, the icon used to represent the PWA and other configuration that describe how the application looks and behaves.To enhance a web app into a Progressive Web App requires adding two artifacts: PWAs use modern APIs to provide an engaging app-like experience with an optional full screen UI, background updating, and offline access to data. They work well on an unreliable connection or when offline. They are installable on your device, load quickly, with subsequent visits loading instantly. Progressive Web Apps leverage what the modern web can do. This will cover what Progressive Web Apps (PWA) are and what you need to create a PWA in AEM leveraging the WorkBox library through configuration, without coding. If you are a technical lead or digital marketing analyst interested in providing a modern Web experience to your Adobe Experience Manager (AEM) web application and have been looking for your options in doing so, then you have come to the right article.
With so many VPN Fire TV Stick options to choose from, it can be daunting finding the right one for you. Some of the most highly ranking services to provide native Amazon Fire TV VPN apps are listed below: When it comes to Fire TV VPN services, there are plenty of options to choose from. It will automatically installĬlick here to install the StreamLocator Fire TV app from Amazon
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We use this cookie to record user language and country preferences for private account pages on me. We use this cookie to record user currency preferences. We use this cookie to record the Session ID for each user’s visit to our website. We use this cookie to detect whether the user is logging in from a used device. We use this cookie to help operate our image CDN service. The user will return to that webpage after successfully logging in. We use this cookie to record the URL of the webpage from which a user has initiated login. We use this cookie to identify and verify each user. We use this cookie to record user language preferences. Whether cookie is essential for us to provide you with a service that you have requested I wanted something very simple with the feeling of compressed energy that can be found in some classical ink drawings - so I intentionally limited myself in Cinema 4D to five simple 3D cubes, and created the entire animation with this restricted palette of shapes. I use the motion sketch tool in Cinema to draw everything free-hand, all the movement of the shapes, even cameras, even some of the smaller parameter values I create using an improvised "scratcher" that is driven by simple expressions.ĭid that style inform some of the choices you were making when designing I don't use any sketches or preparatory studies for my 3D work. I work very free-form in Cinema 4D, moving around as if I'm painting on a large canvas. Sumi ink AND drawing, both the inky look of the final piece, and the drawing process inform the entire piece. Is there a link between the Japanese tradition of painting and your film? (iota center interview) Music by The Headroom Project, “Winter Skies”, from the CD, Dominatus Illuminato Mea. I am not telling a naturalistic story in this piece, but rather I have tried to make a work that will hold in equal reverence the spirit of the bird, the fish, and the fisherman. This animation is a very loose and abstract meditation, inspired in part by the 17th Century Japanese screen painting by Kano Tanyu, "Night Fishing with Cormorants", and by the very stark and beautiful novel of Akira Yoshimura, "Shipwrecks". Siggraph 2009 Computer Animation Festival, New Orleans, LA, Aug.3-7, 2009 Music &Technology Concert, DeMontfort University, Leicester, UK, Oct.2009 Iota Salon, UCLA Art and Media Dept, Los Angeles, Ca Jan.2010 Videographies 21, Digital and Experimental Film Festival, Liege, Belgium, March 2010īyDesign10, Northwest Film Forum, Seattle, WA, March, 2010Īnima2010, Brussels Animation Festival, Belgium, Feb.2010 SoundImageSound VII, University of the Pacific, Stockton, CA, March 2010 Vesak 2010 International Buddhist Film Festival, Colombo, Sri Lanka, June 2010īackup_festival 2010, Bauhaus Film Institute, Weimar, Germany, May, 2010 Melbourne International Animation Festival, Melbourne, Australia, June, 2010 New Filmmakers, Contemporary Experimental Animation, New York, NY, July, 2010 Hiroshima International Animation Festival, Hiroshima, Japan, August, 2010. Strasbourg International Film Festival, Strasbourg, France, August, 2010 London International Animation Festival, London, UK, September, 2010 Prize Simona Gesmundo for Animated Films, Cetraro, Italy, October, 2010.įIA Festival 2010, Forum for International Animation, Stockholm, Sweden, October, 2010 Tindirindis 8th International Animation Film Festival, Tindirindis, Lithuania, November, 2010 Kinofest 2010, International Digital Film Festival, Bucharest, Romania, November, 2010 No-festival of Video Art and Animation, Chelyabinsk, Russia, November, 2010ġ7th International Film Festival Etiuda & Anima 2010, Krakow, Poland, November, 2010 Hiroshima 2010 Special, Animax TV, Tokyo, Japan, November, 2010 Savannah International Animation Festival, Savannah, GA, February, 2011Īnimpact Animation Festival, Seoul, Korea, December, 2010Ģ010 Animation, Art Basel Miami, Miami, FL, December, 2010 Visual Music Concert, Stanford University, Palo Alto, CA, May, 2011.Ĭinequest Film Festival, San Jose, CA, March, 2011 Northwest Animation Festival, Portland, OR, June, 2011. Santa Rosa International Film Festival, Santa Rosa, CA, September, 2011. Golden-Kuker, International Animation Festival, Sofia, Bulgaria, September, 2011. Punto y Raya Festival 2011, L'Alternativa Curated Program, Reina Sofia Museum, Madrid, Spain, November, 2011.īig Cartoon Festival, Moscow, Russia, November, 2011. Istanbul Animation Festival, Istanbul, Turkey, November, 2011.Īnimatic 2011, Pamplona, Spain, November, 2011. Prize for Best Animated Work, Chelyabinsk No-festival of Video Art and AnimationĪthens Video Art Festival, Athens, Greece, May, 2012. Special Mention, Premio Simona Gesmundo Animation Festival Special Prize, Hiroshima International Animation Festival The chair of Georgian Dream’s parliamentary faction, Mamuka Mdinaradze assured critics on Thursday that the bill will be withdrawn on second plenary hearing on March 21.īrussels Latest news, analysis and comment from POLITICO’s editors and guest writers in Europe. The ruling party however insisted that the bills would ensure more transparency about the financing of media and organizations, and was therefore “European.” officials had warned that adoption of any of the bills would harm Georgia’s Euro-Atlantic aspirations. Despite their assurances that the bill cannot be dubbed as a “Russian law” - because it’s American - critics say it’s even more dangerous in the Georgian context.īoth EU and U.S. in 1938, can be withdrawn by its signatories. The second bill, which according to its initiators is a copy of the American FARA (Foreign Agents Registration Act) enacted in the U.S. In order to kill the bill, the parliament needs to hold a second plenary hearing. MPs cannot simply withdraw the bill they have already passed by first hearing on Wednesday. There are two separate but similar versions of foreign agent bills initiated in the parliament. Police arrested 66 people overnight according to official reports | AFP via Getty Images In a joint statement with People’s Power, a group of former ruling party MPs notorious for their anti-western positions, Georgian Dream vowed to drop the bill “unconditionally.”īut many are taking the news with a pinch of salt, planning further demonstrations until the promises are delivered and arrested protesters are released. On Thursday, Georgians awoke to learn that the ruling party was withdrawing the bill. “They can’t erase our yearning for freedom from our brains, they can’t rip it off our hearts. “I am very angry, this government needs to go,” she said, adding that “Georgia’s future is being decided in Ukraine.” Thousands of protesters were dispersed by riot police on Wednesday in Tbilisi, Georgia | Dato Parulava for POLITICO “Are they arresting us for not wanting to adopt the mentality of our enemy?” she asked frustratedly, confident that the adoption of the bill was the government’s calculated move to establish Russian-style governance. We should be more like Ukraine and fight for it like they do,” he said, adding that the “foreign agent” bill was an open door leading to Russia.įifty-eight-year-old Cici Cicvaia also came with a Ukrainian flag, waving it as protesters urged each other to stand strong. “I’m wearing this because Ukraine fights the most for its European integration. Twenty-year-old Achiko Svanadze was wearing a facemask with the Ukrainian flag printed on it - a practical and political move all rolled up in one. Several protesters carried the Ukrainian flag - seeing parallels between their struggle in Tbilisi and Kyiv’s pro-EU ambitions being thwarted by Moscow. Many, including journalists, reported mistreatment by police. The face-off continued throughout the night as many protesters returned after the first round of dispersals. Police arrested 66 people overnight according to official reports. I am Georgian and Russia is an occupier,” she said. I don’t want Russia to be our ally in any form. Having a Georgian flag wrapped around her body, she was yelling back at the riot police as they slowly crunched forward. “I can’t find my friends, they are 13 and 16,” said 16-year-old Salome Kenchiashvili with tears welling in her eyes, as gas seeped through her goggles. BS45PCBAn5- POLITICOEurope March 8, 2023 Several thousand were demonstrating in Georgia against a controversial bill, widely believed to be aimed at silencing the Georgian government's critics. Riot police dispersed protesters in Tbilisi with water cannons and tear gas. When you make changes or add new content to your document and click “Save,” your editor appends those changes to the end of your file. So, the original PDF file you created remains intact, including its file size. However, “Save As” always creates a new file whereas “Save” adds whatever changes you make to the original. Sure, they both have the ability to create new files on your device. The “Save” and “Save As” functions in many applications are different. Our first method to compress a PDF is by using the ‘Save As’ button, and here’s why. You can use as many of these methods as you want.
The configuration procedure includes the following steps: Finally, she is logged in and can approve Michael’s order. This persistent identifier is immutable and will allow update even of her e-mail in the future. This search succeeds and her account is updated with her new last name and a mapping is stored with the persistent name identifier from the assertion. Second, the system searches for the user account based on the e-mail. Because Denise accesses the system for the first time with SAML 2.0, her user account is not found. First, it searches for a mapping based on the persistent name identifier from the assertion subject. It contains her first name, new last name after the marriage, e-mail, and business ITelO’s system validates the signature of the assertion and tries to find the corresponding user account. Like Michael, she chooses the link to the ITelO’s system, and a SAML 2.0 assertion is generated. She was on a honey moon at that time, and now it is the first time she accesses the ITelO’s system using the new link from the corporate portal. However, the direct access with username and password was disabled a few weeks ago because of security reasons. Previously she had accessed the system directly and had authenticated with username and password. After the creation is completed, Michael is successfully authenticated, and he is allowed to order a new laptop.ĭenise receives a notification that there is a new purchase order created in ITelO’s system. The information from the assertion is used to set the corresponding user attributes and roles in AS ABAP. This assertion is digitally signed and contains information for Michael such as first name, last name, e-mail, and also his business role, ITelO’s system validates the signature of the assertion and because Michael does not yet have a user account, the system creates one for him. This corporate portal is configured to work as an SAML 2.0 identity provider and generates SAML 2.0 assertion for Michael before redirecting him to the ITelO’s system. To access it, he chooses a link available on the Boilit corporate portal. Michael needs to order a new laptop, but he has never used the ITelO’s purchase ordering system before. Denise as a purchaser can approve orders created by engineers. Michael as an engineer can order IT equipment from ITelO. In our example scenario, Michael Smith and Denise Richards are employees of Boilit that have different business roles at the company. when they are logged into the Boilit corporate network. The Boilit employees can access the ITelO’s system by only using the SAML 2.0 identity provider of Boilit, i.e. In addition, the administrators of the ITelO’s system do not have to worry about revocation of access rights of former Boilit employees. The two companies have decided to use SAML 2.0 as a single sign-on technology because of the following additional features supported by AS ABAP: Due to this restriction every Boilit engineer and purchaser has to have an individual user account in ITelO’s system (AS ABAP). For example, engineers shall be able to create purchase orders and purchasers to approve or deny them.įor auditing reasons, the ITelO’s purchase ordering system does not allow the creation and approval of purchase orders with service users. As such Boilit has the requirements that its employees have single sign-on access to the ITelO’s purchase ordering system, and different permissions are granted to them based on their business roles at Boilit. Boilit is a chemical company and is a customer of ITelO. ITelO is a supplier of IT equipment and has set up an online purchase ordering system for its customers. SAP Notesġ992049 - SAMl 2.0 user update is not working with IdP initated SSO - valid for 7.02 SP15, 7.30 SP11, 7.31 SP11, 7.40 SP5 or 7.40 SP6Ģ016414 - Show custom error page for automatic account creation failures during SAML 2.0 logon - valid for 7.02 SP13, 7.02 SP14, 7.30 SP9, 7.30 SP10, 7.40 SP2-SP7Īn example scenario with two companies, Boilit and ITelO, is used to better explain the configuration steps. This functionality is released in the following releases of SAP NetWeaver:įor NW 7.02 SP12, SAP Note 1799402 - Automatic account creation for SAML 2.0 SP should be implemented. Does the group representation in the training data reflect the real world?.women) which metrics should I use to answer the following questions: You might ask, given the groups of interest in the training data (for example, men vs. The list consists of some general questions that may be relevant for several ML applications, as well as questions about specific applications like document retrieval. To ground the discussion, the following are some sample questions that ML builders and their stakeholders may have regarding bias. SageMaker Clarify is a part of Amazon SageMaker, which is a fully managed service to build, train, and deploy ML models. To learn more about explainability, check out Explaining Bundesliga Match Facts xGoals using Amazon SageMaker Clarify. SageMaker Clarify provides tools for both of these needs, but in this post we only focus on the bias detection functionality. In many situations, it’s important to understand why the ML model made a specific prediction and also whether the predictions were impacted by bias. ML models are being increasingly used to help make decisions across a variety of domains, such as financial services, healthcare, education, and human resources. We also develop a framework to help you decide which metrics matter for your application. In this post, we use an income prediction use case (predicting user incomes from input features like education and number of hours worked per week) to demonstrate different types of biases and the corresponding metrics in SageMaker Clarify. For example, at the time of this writing, Amazon SageMaker Clarify offers 21 different metrics to choose from. To detect bias, you must have a thorough understanding of different types of bias and the corresponding bias metrics. Bias may also be introduced by the ML algorithm itself-even with a well-balanced training dataset, the outcomes might favor certain subsets of the data as compared to the others. For instance, an imbalanced sampling of the training data may result in a model that is less accurate for certain subsets of the data. Unfortunately, detecting bias isn’t an easy task for the vast majority of practitioners due to the large number of ways in which it can be measured and different factors that can contribute to a biased outcome. Bias detection in data and model outcomes is a fundamental requirement for building responsible artificial intelligence (AI) and machine learning (ML) models. |
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